Forgive us our trespasses: forbidden rambles with a right-to-roam campaigner.
The law excludes ordinary people from 92% of English land, but that doesn’t stop activist, artist and writer Nick Hayes.
As Simon Jenkins notes in his book England’s Thousand Best Houses, were it not for the fact that it sits in 400 acres of historic parkland, Basildon Park house in west Berkshire might almost be a Piccadilly terrace: big, but not gargantuan; elegant and harmonious, but too straightforward to be entirely flashy. Glimpsed through trees on a warm summer evening, its magnificent portico crested by golden sunlight, it rises like a beacon, a sight from which it’s hard to tear the eyes. Even when I’m walking away from it, I keep turning my head to check that I didn’t only imagine it; that it hasn’t suddenly vanished into thin air.
But bewitchment is in the air tonight. This place is ours. Though the National Trust reopened these grounds to visitors in June, those who booked tickets for today are long gone now, it being past five o’clock. Circumnavigating the estate’s flinty, tumbledown perimeter wall, we barely saw a soul – only one mountain biker, doggedly following the same bridleway as us – and since we slipped inside the park itself, having finally found a gap just wide enough to allow us to do so, we’ve encountered no one at all. We stride, willy nilly, utterly free, grasshoppers leaping at our feet, the soft wind in the branches above us. What leafy seclusion. It’s so enveloping, and so soothing, I jump halfway out of my skin when a pheasant shrieks in the undergrowth.
There are bylaws around respecting National Trust land but I do not feel deep down that I’m doing much wrong by being here. What harm is there in enjoying such loveliness? I’m a paid up member of the Trust, so this is no embezzlement. Nevertheless, I don’t suppose I would have wriggled through that tempting space had I been alone. I see walls, literal and metaphorical, and often wonder what’s to be found behind them, but I’m too timid, often, to climb them. On this occasion, however, I have courage in the form of company. I’ve been led astray by Nick Hayes, the author of The Book of Trespass, a powerful new narrative about the vexed issue of land rights and a volume that he hopes will both refocus the ongoing campaign to reform the 2000 Countryside and Rights of Way Act by encouraging more people to do as we are doing right now, to walk on privately owned land, and to help build protest against the Conservative party’s plan – a manifesto commitment – to make trespass a criminal offence. Not only is Hayes practically a professional trespasser these days, no sign too forbidding to be ignored, no fence too high to be climbed. In my case, he’s like a naughty younger brother, egging me on, urging me blithely to step over whatever impediment happens to be in my way. “They can’t do anything to us,” he says, cheerfully. “They can ask us to leave, but we can’t be prosecuted. Trespass is a mechanism for seeking redress for damage, and it would be absurd to suggest we are damaging anything.” (Trespass can be actionable through the courts, whether or not the claimant has suffered damage – but such cases are rare, and usually only brought to deter persistent trespassing, or where there are boundary disputes.)
This is the part of Berkshire, not far from the River Thames in Pangbourne, that inspired Kenneth Grahame to write The Wind in the Willows, and Hayes, who likes to kayak, knows it intimately. He grew up a few minutes away, in the village of Upper Basildon, and it was there, 10 years ago, that the seeds of his book were sown, when he came home from London to live with his parents while he worked on his first graphic novel (he makes his living mainly as an illustrator). One day, he and his mother were walking together after lunch. They were, he says, having the kind of heart-to-heart that could only really happen in “the easy chaos of the countryside”, wandering towards a spot that, at the time, was the sole place he’d ever seen a kingfisher. But they never made it. Suddenly, a quad bike came chugging over the paddock, and parked itself, just a little too close for comfort, in their way.
The gambit of the landowner or his agent to the trespasser is often a facetious “are you lost?” But this guy was more direct. “You’ve no right to be here,” he said. “You are trespassing.” Hayes and his mother reflexively apologised and promptly left. Only later did he consider the astonishing effect just a few words had had on them; it was as if they were two puppets, and this stranger had simply yanked their strings. “We were doing such a lovely thing,” he says. “So to be interrupted in such a gruff manner… This invisible force came over us. Outwardly, it was just decency [on our part]. It would have been indecent for us to argue; that would have spoilt our day. But his ability to turn us on our heels through 180 degrees felt like power to me, and it’s quite rare for a white, straight, middle-class man [like me] to feel the operation of power like that. There was this feeling of shame – as though I’d done something wrong. And that didn’t square at all with my inner morality.”
After this, Hayes began strolling on private land more and more often. This wasn’t, he insists, a political act, or even just a two-fingers to those types who like to border the land they own with signs that read “Keep out”. “It was more a case of wanting to support my feeling intellectually that it’s the wall that is the crime, not the climbing of it,” he says. “I wasn’t going to stop trespassing, but I also came to realise that it’s all right for me. This is something I can do. I’ve got quite a posh voice, I’m white, I’m a big enough dude not to be physically submissive; I don’t flinch when someone comes at me. The book grew not only out of my own trespassing, but out of a desire to try and make the countryside more available to people without my privileges.” England, he would go on to discover, is still owned by a relatively small number of wealthy individuals and institutions: by the law of trespass, we are excluded from 92% of the land and 97% of its waterways. How can this be? The feeling grew in him that change must and can come. When The Book of Trespass is published later this month, he and Guy Shrubsole, the activist author of Who Owns England?(which came out last year), will together launch a new campaign, the primary focus of which will be the fact that the nation’s mental and physical health would be improved immeasurably by increased access to it. “I don’t believe property is theft,” Hayes says. “That’s a ridiculous proposition, one that ignores human nature. This isn’t the politics of envy. All we’re asking is that the lines between us and the land are made more permeable.”
This doesn’t mean, however, that political history is of no interest to him. Quite the contrary. For Hayes, Basildon Park house serves as one symbol among many of the way, down the centuries, land was effectively stolen from the people, its grand estates constructed on the back of their exploitation. Built in 1776 by John Carr of York, it was designed for Francis Sykes, a wealthy member of the East India Company, who returned home with fingers that were, as Hayes puts it, “sticky from the colonial cookie jar” (Sykes himself explained the bleeding dry of India as a basic choice of “whether it [the wealth extracted under British rule] should go into a black man’s pocket or my own”). Hayes doesn’t disapprove of the National Trust; he’s largely supportive of both it and English Heritage. But he wonders why, given the history of Basildon Park, some of its 400 acres could not be given over to, say, local allotment holders. And what about those who cannot afford its ticket prices? “I think the vision of Octavia Hill [the social reformer, and one of the three founders of the National Trust] for the working classes has gone a bit wayward. It does seem very white and middle class. It holds some of our cultural soul, and it could change the narrative if it tried.”
We walk on. The preternatural quietness holds. The atmosphere is almost muffled. The cows, it seems, can’t be bothered to low at this hour, in this heat. But just as we’re on our way back to our entry point, we meet a woman on the path. She has long, silver hair and a black spaniel, and a manner that, though polite, expresses a certain dismay at our presence. Do we work for the National Trust? No. Then why are we here? We tell her that we’re merely enjoying the park, and then we turn the tables, asking her a few questions of our own – which is how we find out that she is the wife of a National Trust warden, and that she lives in a house in the woods. Also, that she is Dutch. Do people have the right to roam in Holland? No, she says. It’s worse there than here.
But she won’t be put off so easily. We should go. Soon, this spot will be dangerous for us. In half an hour, hunters are coming to shoot deer, which must be controlled. “Well, they’re not going to shoot us, are they?” says Hayes, breaking into laughter. She doesn’t fully smile at this – though whether this is because we outnumber her and she feels vaguely intimidated, or whether because she simply believes we’re being foolhardy, I can’t quite tell. Either way, though, I’m momentarily chastened: I experience what Hayes calls, in his book, a “mind wall” – an invisible barrier rises, over which I feel I must now hop as quickly as possible to the side where I rightfully belong.
My fellow trespasser and I do most of our talking in a hay field belonging to someone known to him as Farmer Ambler, a man who eventually appears, carrying long stems of ragwort (ragwort is toxic if eaten by cows), but who speaks to us gently, and doesn’t tell us to scram.
Hayes wasn’t what you might call a child of nature. “We came up to the rec to smoke hash as teenagers,” he says. “Sometimes, a couple of woods on from where we’re sitting now, we made fires and messed around. But we weren’t there for nature; it was just free space.” After public school and Cambridge University, he did an art foundation course and eventually, after a series of jobs working in communications for charities, he began working full time on his first graphic novel, The Rime of the Modern Mariner, a take on Coleridge’s famous poem. He has since published three more.
The Book of Trespass is his first non-graphic book – though the text is punctuated by his marvellous illustrations, linocuts that bring to mind the Erics, Gill and Ravilious – and in it, he weaves several centuries of English history together with the stories of gypsies, witches, ramblers, migrants and campaigners, as well as his own adventures. Its sweep is vast. Among the places he trespasses, sometimes camping out overnight, are Highclere Castle in Hampshire, home of the Earl of Carnarvon and now best known as the real Downton Abbey; Belvoir Castle in Leicestershire, the seat of the dukes of Rutland; on the Sussex estate of Paul Dacre, the former editor of the Daily Mail; and on land, also in Sussex, owned by the property tycoon Nicholas van Hoogstraten. He also kayaks on the River Kennet from Aldermaston, in west Berkshire, to the point near Reading where it meets the Thames – a journey that takes him through the estate owned by Richard Benyon who, until 2019, was the richest MP in Parliament (Benyon lives in Englefield House, which dates from 1558, and which passed to his family by marriage in the 18th century; some of their money was made via the East India Company, too).
His book begins with the mass trespass of Kinder Scout in 1932, an act of civil disobedience that may be one of the most successful in British history (it led to the creation of our national parks). But then he tracks back: here is William the Conqueror, seizing England with “both his hands”; here are the Tudor barons, frantically enclosing common land in what amounted to a kind of rural gold rush; and here, much later, is the Public Order Act of 1994, a piece of legislation, triggered by a rave at Castlemorton Common in Worcestershire, that Hayes regards as “the final nail in the coffin” for freedom in the countryside, and that has a great deal in common with vagrancy acts of earlier centuries in the way that it targets particular groups of people, notably Travellers. Along the way, he also explores more nebulous territory. Why, he wonders, do we quietly accept the limits to our freedom – the signs and the barbed wire, the CCTV cameras and the walls – when we’re out and about? Where does such obedience come from? Nationalism, he believes, suits the landowning classes – Paul Dacre, who also owns a 17,000 acre grouse farm near Ullapool in Scotland, now among them – because it gives people a sense of ownership without their actually owning anything at all.
Our green and pleasant land. Except it isn’t – ours, I mean. A third of Britain is still owned by the aristocracy; 24 non-royal dukes alone own almost 4m acres of it (in 2016, 17 of these men together received farm subsidies worth £8.4m). Then there is the new aristocracy, the self-made millionaires who can afford to buy up the land: men like Richard Bannister, the retail tycoon who bought Walshaw Moor in Calderdale in 2002, and whose “management” of this rare habitat brought him into conflict with Natural England – until, that is, the agency dropped its claim, settling out of court (Bannister now owns some 16,000 acres of the valley). Finally, there are the offshore companies, which in 2015 owned 490,000 acres of England and Wales, meaning that an area larger than Greater London can legally avoid stamp duty and inheritance tax (the largest swathe of English land registered to offshore companies is the Gunnerside estate, whose 27,258 acres of North Yorkshire moorland are registered in the British Virgin Islands and which, over the last decade or so, received some €430,000 of taxpayer handouts in the form of agricultural subsidies). According to Hayes, there are “good landowners”: he would single out the Crown Estate and Sir Julian Rose, the owner of Hardwick House, also in Berkshire, whose farm is run on ecological principles and who allows a nonprofit group to run outdoor activities for children with disabilities on his land. But these people are, in his view, in the minority.
Was he, as he researched The Book of Trespass, surprised by the numbers? “No. In a way, I was almost encouraged by them. They’re so stark, they do the arguing for you. The orthodoxy is that land campaigners are very unreasonable – that they’re people who want to overturn civil society, who have this mad communist desire to overrule people’s private sanctity. But if you look at the figures, it’s clear that it’s not at all unreasonable for us to require greater access to the land.” He’s surely right about this – and in Scotland, people already have the right to roam; none of the walks in his book would count as trespass north of the border. But it also raises the question: why does it still matter so much to landowners if people cross their land? Why does it make some of them so furious?
“Because, under a certain philosophy of property, one we’ve had since the time of William the Conqueror, something is only yours if you own it exclusively; a park doesn’t really belong to you if you can’t throw someone out of it. Counter to this, of course, there is another philosophy, one that says that you don’t leave this world with anything in your pockets, and you don’t come into it with anything in them, either. At best, you borrow the land from your children; you’re a custodian. Unfortunately, these are entirely opposing definitions of property.” Chewing idly on some grass, I wonder aloud why some people need so much. Hayes looks at me as though I’m slightly stupid. “It’s not about use,” he says. “The rich man wants more. You know that.”
There are, he tells me, groups out there who are interested in the idea of reparation; who believe that if more people knew the stories behind places like Basildon Park, they would be more exercised over the issue of land rights. But he would rather concentrate, in campaigning terms, on the future rather than the past. “If I had two minutes on the Today programme, I would talk about the science involved in the relationship between nature and mental and physical wellbeing, and about a future where landowners aren’t robbed of anything at all, except the right to exclude the mass public. Douglas Caffyn [a canoe campaigner] speaks about the Magna Carta when he makes the case for access to our rivers. But we can either argue about historical precedent, or we can clear the table of that, and discuss why, say, rivers are so essential to people.”
He is not – again, he tells me – looking for a revolution. “The one thing I think is a genuine and valid concern [on the part of landowners] is vandalism and litter. But this is why we need an early and visceral relationship with nature. Children need to learn about dragonflies by having them land on their noses so that as adults they will find it abhorrent to see a Wispa Gold wrapper next to an orchid.” He and his fellow campaigners are looking to “rewrite” the Countryside Code. “It asks too little,” he says. “It shouldn’t only tell you to take your litter home; it should tell you to pick up any litter that you find. We would like it to be more moral, to incorporate how we should be together – because the way we treat nature is the way that we treat each other.”
So what happens next? “We want to engage all the people who are already sold on access – the fathers and mothers, the ramblers, climbers and kayakers – and tell them that something is happening, and get them to join us. Then we need to persuade all the people who don’t have much access to land why their lives would be improved if they did. And then, we need to lobby MPs.” His book, he believes, is the beginning of something, not the end. “We will say to people: come trespassing with us!” He grins. “Our hashtag will be#extremelynonviolentdirectaction. There’ll be animal masks and botany, picnics and poetry. But if someone asks us to leave, that’s exactly what we’ll do.”
The National Trust bylaws can be seen here
• The Book of Trespass by Nick Hayes is published by Bloomsbury (£20). To order a copy for £17.40 go to guardianbookshop.com. Postage charges may apply.
9 August 2020
The Guardian
